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Tears of Joy


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Special thanks to Micheal Pfeifer, Tracy L. Matthews, Steve Cooper and Mark Kauffman for all their valuable support and tremendous help.  Watson and Edge would also like to thank Mel & Jeneane Ortner, Dale Greenwood, Tom Damask, Prasana, the abele family and all those who have supported us since we began.  Thanks to Bob Venosa for the great teardrops.  

Jeffrey would like to extend a special thanks to Alex Degrassi for tuning ideas and musical inspiration.  Michael Hedges for "Boldly going where no man has gone before."  J. S. Bach for showing me that perfection is a process and that both Heaven and Hell can exist here and now on Earth.  Eminently many thanks to the universal source of creative intelligence and beauty; "the essence of all that is..." Other thanks to: Tom Flewelling, Denali Thaxton and to my wife Loretta and my daughter Stephanie. 

Malcolm wishes to thank Cindy, his wife, for endless support and patience; my boys, Ben and Tristan for all their help and understanding; my Mum and Dad, my Uncle Don, for getting me started; and so many, many others.  I also wish to give deep thanks for the peace and joy I experience in sharing my passion of life with you all.  A passion that ranges from the agony of pain and suffering, to the joyful ecstasy of it all.  I am truly blessed to experience such wonder.
Tears of Joy is our most romantic CD.  It has several tracks that have that deep beautiful sadness that touches and releases your soul.  It will take you through the range of emotions from grief to joy.  Passionate and inspiring, your stress will melt away to these nouveau classical performances of masters such as, Tarrega, Carcassi and Sor, plus powerful originals.  The perfect compliment for intimate moments.  15 Tracks.


Fun in D


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Watson and Company 3:00  A bright, fun piece written for guitar and violin in the most perfect of keys, "D".

Tears of Joy


BEGINS AT START UP
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(Watson and Edge) 6:36  This special piece not only acknowledges the pain and sorrow of loss, but also remembering the joy that had been known before.  Dedicated to all those who have ever lost a loved one or something that meant very much to them and grew by having had the experience.

 K Hi Tune

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(Watson and Edge) 3:39  Jeffrey thought this piece sounded like the jazzy new-age musical format played by K-HIH, "The Wave" radio station in Boulder, Colorado, hence the title, The K-Hi Tune.

Inspired by Kathy

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(M. Carcassi/Watson) 2:22  Originally a guitar study, Malcolm has added a sweet and expressive violin part with which we are certain Matteo would be pleased.

Matteo

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(M. Carcassi/Watson) 2:22  Originally a guitar study, Malcolm has added a sweet and expressive violin part with which we are certain Matteo would be pleased.
Fernando's Theme

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(F. Sor/Watson) 3:25  Composed as a guitar exercise in B Minor, this well known piece inspired a romantic and sensual violin line by Malcolm Watson resulting in a fresh new rendition respectfully bearing the composer's name.

Opus

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(Watson and Edge) 3:42  Having nothing to do with penguins, this original composition is an excellent example of NCTRCSGF (Neo-Classical-Thrash-Rock-Cajun-Slam-Grass-Funk) and is determined to bounce across the charts with no musical category to call its own.

Love for a Woman Child

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(Edge and Watson) 3:28  A tumultuous piece of music based on a rocky relationship.

 Wilson's Wilde
 

 
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 (Trad/Watson) 2:47  Written hundreds of years ago by an unknown Spanish composer and made known by Segovia, Williams & Bream.


Romance

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(Trad/Watson) 49:33 4:27  Written hundreds of years ago by an unknown Spanish composer and made known by Segovia, Williams & Bream.  Originally entitled La Jeue Interdite (Forbidden Game).


Rejoice

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(Watson and Edge) 4:33  Written by Jeffrey as a 1988 Christmas carol in celebration of this time of merry making.


Stephanie's Song

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(Edge and Watson) 4:30  This song was composed by Jeffrey for his duaghter just prior to her birth at home, March 5, 1988.  Expressing the joy of creation and an array of emotions surrounding the experience of fatherhood.

Promenade

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(F. Sor/Watson) 2:24  A classically coy piece of music reminiscent of dusted wigs, ballroom gowns and high-ceiling rooms gilded with gold.
Adelita

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(F. Terrega/Watson) 2:49  Ever being the hopeful romantics, we'd like to believe that this was written as a tribute by Terrega to his heart's desire… or named after hit cat or landlady.
 
Cosmic Bop

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(Watson and Edge) 3:05  Happily dedicated to all the cosmic boppers and spiritual hedonists on planet earth!  You know who you are!

Engineered by Michael Pfeifer and Steve Cooper at SCM Productions, Arvada, Colorado.  Digital editing by Steve Cooper.  Digitally recorded and edited with Digidesign Protools 4TK hard disc recording system on a Macintosh IIFX computer.  Mixdown to Sony 2500 DAT.  Produced by Watson and Company and Michael Pfeifer.  Mixed by Watson and Edge, Michael Pfeifer and Steve Cooper.  Logo illustration and graphic design: Tracy L. Matthews.  Layout and prepress: James Flanigan, www.stardotpc.com.  Photography: Eugene Gurevich, Roland Harrison  ©1992 ©2003, Xcentric Records.  All rights reserved.  Unauthorized duplication is a violation of applicable laws.  All music arranged by Malcolm Watson and Jeffery Edge.

Malcolm records, and performs on: Violin: Made by Puglisa Reale, Cretona, Italy, 1918.  Amplification: Piezo quartz crystal transducer made by D. Enke, mounted on bridge.  Strings: Piastro Eudoxa (aluminum winding on gut sting). Mics used for violin: Neumannn 429 and Neumann U87.  Jeffery Edge records and performs on: Guitar #1-Larrivee 138 Cutaway Acoustic/Electric Classic, built by Jean Larrivee, Alberta, Canada.  Solid Stika spruce top, fitted with a Fishman AG 125 transducer and ACP 2 pre-amp.  Strings: Agustine Blue strings.  Guitar #2 - 1990 Takamine EN-10C, built in Japan.  Solid cedar top, split saddle bridge and transducer with onboard pre-amp and equalizer.  Strings: John Pearse Phosphor light guage strings (wound with bronze).  Guitar tunings: Standard pitch (A=440Hz).  Mics used for guitar: AKG414 and AKG451.
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